WW/SF Entertainment is a boutique narrative film production company.
WW/SF Entertainment was founded by James Suttles and Jason Winn. With over 45 years of combined experience, the company represents the culmination of a professional journey that began when Suttles and Winn first collaborated on the feature film “Shifting Gears”. Since that pivotal moment, they have been dedicated to creating films together.
WW/SF Entertainment is different. WW/SF sets a new standard of production outside the stale and tired production model of the last century still in use across our industry today…
1) Technology. As technology and distribution models continue to evolve, so too does our production model. WW/SF Entertainment specializes in leveraging advanced technologies to streamline both the administrative and creative aspects of production. This approach ensures higher production quality by maximizing the time allocated to creativity instead of logistics. The company’s core business is producing high-quality feature length content ranging from $1 million to $6 million and series based narrative content within budgets ranging from $1 million to $4 million per episode, accommodating both Union and Non-Union projects.
2) Accountability, ethics and respect. WW/SF goes beyond being a standard production company by emphasizing the importance of work-life balance for its cast and crew, a philosophy that starts with its leadership. Through their production experiences, Suttles and Winn have learned that a well-rested and respected team is more motivated and capable of delivering exceptional films. This motivation directly enhances production quality at every level. Recognizing that filmmaking should be a fun, collaborative, and creative experience, the company prioritizes a supportive and engaging work culture that invites our clients & collaborators into an environment built for success. This ethos not only strengthens the bonds within the team but also inspires unparalleled creativity and commitment, resulting in films that resonate with audiences on time and on budget. But don’t ask us, ask our crew of which we have retained a 70% retention from project to project over the past 13 films we have produced. Unheard of in our industry.
3) Fiscal Responsibility and Transparency. From weekly cost reports to final film tax incentive sale and transfer. Our team vows to uphold the highest level of responsibility when it comes to finances. In fact, we currently hold a continuing record of bringing our last 13 films in on budget or slightly under and that is why we continue to produce projects for repeat clients year after year.
At WW/SF Entertainment, making movies is more than a profession—it’s a passion-driven process built on respect, innovation, and collaboration.
— THE TEAM —
Our team is comprised of some of the most dedicated, hardworking filmmakers in the industry. A core group of project leads, creatives and technicians are the cornerstone of WW/SF and our consistant collaboration insures our efficiency, quality and commitment. No matter how large or small, every project is treated with the highest degree of energy and commitment.
James Suttles, a multifaceted creative Producer, Director and Cinematographer, stands at the forefront of WW/SF as its Co-Founder. His journey in the realm of filmmaking encompasses a comprehensive understanding of all facets of production, showcasing expertise in project management, cinematography, editing, color grading, post-production, and creative direction. With an expansive career that spans large-budget feature films to grassroots projects, James has etched his mark as a versatile and accomplished filmmaker.
Born with a passion for storytelling through motion pictures, his commitment to the art of storytelling is evident in his emphasis on strong visual content and unique story structures. James has been a driving force behind a range of projects, contributing his skills to create captivating narratives that resonate with audiences.
Among his accomplishments, James served as the Producer and Director on notable feature films such as “The Nest,” “Seven Days Till Midnight,” and “The Evil Inside Her.” Additionally, he took on the role of Director of Photography for “The Good Things Devils Do” and showcased his cinematographic expertise in films like “Rift,” “Shifting Gears,” and on the Academy Award-nominated feature film “Alone Yet Not Alone.” Additionally, he has recently produced the Tubi Originals “Tarot Curse”, “Death Name”, “The Murdaugh Murders,” the BET film “God’s Grace, The Shelia Johnston Story” and just recently wrapped production and the crime drama “Clean Hands”, (starring Zach Braff, Esther McGregor, Abigail Spencer, Lucas Till & Holt McCallany).
James Suttles has expanded his creative footprint beyond traditional filmmaking, collaborating with prestigious clients and entities including Huffington Post, Intel, GE, Apple, Blizzard, Time, Inc., and various music videos, including works with acclaimed artists such as the legendary Steve Martin.
Adding an educational dimension to his illustrious career, James was a valuable member of the Cinematography faculty at the University of North Carolina, School of the Arts from 2015 through 2022. His role focused on imparting knowledge in digital cinematography and integrating post-production workflows into the production process.
James hopes to continue on the path of inspiring and contributing to the cinematic landscape, leaving an indelible mark on the world of storytelling through his passion, talent, and unwavering dedication to the art and business of filmmaking.
Jason Winn is a seasoned independent filmmaker with over two decades of experience crafting impactful and diverse narratives. Renowned for his ability to create meaningful, emotionally resonant, and entertaining stories, Winn has built a reputation as a versatile storyteller with a sharp focus on character-driven films. His acclaimed works include The Fat Boy Chronicles, a poignant exploration of bullying and self-acceptance; The Assault, a gripping drama for Lifetime; and Shifting Gears, a family-friendly action-comedy featuring C. Thomas Howell and John Ratzenberger.
Winn’s filmmaking combines technical expertise with an intuitive understanding of storytelling. On set, he cultivates a collaborative and supportive environment, enabling actors to deliver compelling and authentic performances. His balance of creative vision and technical precision has allowed him to tackle a wide range of genres. Notably, his action-thriller RIFT, filmed in just six days during the global pandemic, was highlighted by Variety as a shining example of resourceful independent filmmaking. The success of RIFT reflects Winn’s ingenuity and ability to adapt to the ever-evolving challenges of the film industry.
In 2022, Winn co-founded WWSF, a boutique production company dedicated to producing high-quality films that address contemporary themes and challenges. WWSF specializes in navigating modern filmmaking constraints, such as tighter budgets and accelerated schedules, without sacrificing quality. Among Winn’s upcoming projects is a feature exploring the complex Alex Murdaugh murder investigation, alongside other works blending sharp social commentary with compelling drama.
With a rich catalog of films available on major streaming platforms, Jason Winn continues to captivate audiences and inspire peers with his innovative approach and unwavering dedication to the art of filmmaking.
Michael Sokel has been writing, producing, and directing in Atlanta for almost 20 years. He developed and produced two features, the dark comedy Postal (2019) and the upcoming comedy-slasher We’re So Dead. He has developed and produced content for Vh1, Comedy Central, Food Network, Adult Swim, Tubi, and BET. Other credits include Cake (FXX) and Mandy (SpectreVision).